[Ohhh… slow on publishing this… jet-lagged and not really coping. I don’t have anything to say in this post that professional writers haven’t already argued months ago but again, I want to remain in the practice of saying anything at all. So, some edited notes I took on the plane.]
I want to start with a question: to anyone who has watched the live-action adaptation of Alita: Battle Angel, did it have a plot? Reviewing these notes now, I’m trying to remember what happened in the movie and can only come up with a few establishing vignettes strung along by a character thread — the amnesiac cyborg heroine Alita — instead of a narrative one.
Of course, I’m already being too harsh; a plot can be as simple as what a character does. Going to the corner store to buy a soda like I just did tonight could count as a plot and Alita certainly does… things. She falls in love and fights a bunch of underworld thugs and uncovers a conspiracy and discovers her true self and becomes roller-derby champion and whatever else.
But what I more mean is that the movie lacks the sort of recognizable narrative you might expect from a blockbuster cinematic experience — rising and falling action moving towards a climactic goal. Because — to spoil something that doesn’t happen — Alita: Battle Angel doesn’t end. Or rather, like with the distinction between plot and narrative, it doesn’t conclude. When the movie finally seems ready to move into its climax — Alita will confront the true puppet-master antagonist lurking in the floating city above! — it abruptly stops. Having spent two hours establishing the universe and character motivations, a hype song plays, Alita looks up to the sky determined to face the ‘final boss,’ and the credits roll.
I blinked in disbelief. Ending? Now? Um, alright, 8 hours left in the flight, let’s try The Man Who Killed Hitler and Then Bigfoot. Ugh, well that was terrible. Let’s take a nap instead.Continue reading “Alita: Battle Angel (2019): Good enough for a 12 hour flight, but what else?”