I wanted to write about the Japanese documentary / reality television show Terrace House (on Netflix) but the post has taken too long to complete. So instead, for now, how about a brief comment on an excerpt from this conversational review of the series via the New York Times of all places. In it, the reviewers discuss their least favorite subjects in the documentary:Continue reading “Cruelty in print, vicarious regret”
[Uh, I meant to leave that “subheading” there. What am I doing with myself, no sleep, non-tent mania…]
Hey, so Magia Record’s on. How’about a salon shop chat? Have you seen the hair colors on the girls? Um, per-fect. Check it, above or below:Continue reading “Magia Record in colors. Subheading: tries, fails to convince me that being a magical girl is suffering”
I’ve been reading A Diary of Darkness, kept by the Japanese journalist Kiyosawa Kiyoshi from 1942 until his death in 1945 (trans. Eugene Soviak and Kamiyama Tamie). Oh, it’s so good.
The diary covers international affairs, political happenings, and daily life in Japan over the course of the Pacific / Greater East Asia War. Despite strict censorship enforced by the military government and the arrest of several of his intellectual friends for “thought crimes,” Kiyosawa bravely risked his own arrest to produce an honest account of the madness that descended on Japan during the war.
But it’s not just a typical diary either. Kiyosawa kept the journal on the hope that he could use its material to produce a history of Japanese international relations after the war. Thus, along with recording illuminating vignettes of everyday life, Kiyosawa managed to produce a real-time account of the collapse of the Japanese homefront with scholarly rigor as good or better than any secondary source for understanding Japan’s progress during the war.
In politics, Kiyosawa was a committed liberal – more than anything, he complains about the stultifying effect attacks on the freedom of speech had on Japanese society. It’s remarkable then that the journal survived, a powerful testament to the singular importance of that freedom in maintaining a peaceful and democratic society. I regret that he did not live long enough to see Japan become such a society. But hey, it’s nice that he tried.
So anyway, in lieu of something more substantial, here are three quick impressions:Continue reading “A few impressions from Kiyosawa’s Diary of Darkness”
Once-upon-a-time, I watched the anime Tokyo Ghoul on the recommendation of a gaggle of nerdy middle schoolers. I didn’t really like it. But, for my students, maybe I could enjoy their enjoyment of the show even if I regret lying to them that I did like it to win some “cool teacher points.” It was, at least, something to talk about.
Now though, with the conclusion of the fall 2019 anime Beastars, about a high school for anthropomorphized animals struggling through a conflict between herbivores and carnivores that results in the murder of an alpaca, I finally have something good to suggest to my students in Tokyo Ghoul‘s place — because Beastars does everything that Tokyo Ghoul tried to do, just better, from themes about discrimination and growing up to its general production quality (even despite Beastar’s sometimes awkward 3D animation).
First then, I suppose I should briefly re-explain my distaste for Tokyo Ghoul before moving on to my recommendation for Beastars itself:
~ because it’s not like anybody’ll click that over-sized link above!Continue reading “Beastars is Tokyo Ghoul done right”
Have you ever come across such a perfect line while reading translated literature that you just have to go check it out in the source language, comprehension be damned?
I found one such line in the Konjaku Monogatari Shu, a collection of hundreds of late Heian-period Japanese short stories, 90 of which appear in English in Japanese Tales from Times Past (trans. Naoshi Koriyama and Bruce Allen). It was a Christmas present, but I’ve already hit volume 19, tale 21 in the Buddhist moral tales section, titled “Snakes are seen in a vat of sake made from rice cake offerings.” In the context of its most delightful line though, I think I might want to rechristen the story “Buddha and the Boozer.”
But first, a quick synopsis of the barely two-page tale for context:Continue reading “Buddha and the Boozer”
For the past year or so, I’ve made casual tradition out of picking out the worst-rated anime towards the end of each season just to… see. I’ve covered a few here on this site and avoided writing about several others because I couldn’t even finish a single episode. But with the addition of the anime short Tenka Hyakken: Meiji-kan e Youkoso! (rated 4.8 out of 10) to the bottom of my list this season, I’ve begun to pick up on a trend that I had never noticed before:
All of the worst, or at least the most bizarre, of my bad selections in recent months originated as adaptations of gacha or collectible card games.Continue reading “Are gacha game adaptations the next front in bad anime?”
Now that I am teaching again, I find that I have the most trouble answering questions related to motivation, usually some variation of “Why do we need to study this?” And as awful as this might sound, I truly don’t know how to satisfy that question. I do try — depending on the student, so far I’ve replied:
- “Maybe if you study it more, you will learn that you do like it. I used to hate algebra but look!, I’m teaching it to you now.
- “Oh, you want to make video games? Well, you’ll need this math when you start programming classes…”
- “Yeah, I don’t know why the Ottoman Empire is a state standard either, but you need to study a wide breadth of subjects because you never know where those connections will come in handy.”
Of course, every discipline will have their own specific answers. A US Government teacher will discuss the importance of civic education for a functioning democracy. Or a geologist might just say “‘cause rocks are cool” and that’s a fine and dandy reason. At the very least, I hope I’ve done better than a coworker who told a student that if he hated social studies, “Just wait ‘till you’ll have to take economics. Economics is the worst.” Yeah, sure, that’s a great way to prime students with a good attitude for their required courses in an already maligned field…
I think though, I struggle to answer because I never considered the question important. When I went to school, I studied because I felt that I had no other choice. Then, by the time I reached college, I had developed strong enough interests that I no longer needed to put effort into the choice anyway — I would have pursued the topics that I enjoyed regardless of the opportunity to do so at a university (and as I continue to do now in a hobbyist capacity here).
So, with the students, I’m dodging the question. I give two vague hypotheticals (“Maybe…” “You never know…”) and a cutesy if cynical appeal to self-interest (“You want to make video games?”) but ignore the more fundamental problem of education:
What good does knowledge do me?Continue reading “I know this, but what good does it do me to know?”
[computer still broken, so a short phone ramble]
When does Girls’ Last Tour (Shoujo Shuumatsu Ryokou) take place? I googled the question and found no answer on the first few result pages. So, while re-reading the manga through a surprise digital detox sprung on me by a broken computer, I thought I could provide an answer:Continue reading “When does Girls’ Last Tour take place? …and why it might not matter”
Porco Rosso, the 1992 anime film about a flying pig-pilot who does battle with sky pirates in interwar Adriatic floatplanes, might be Studio Ghibli / director Hayao Miyazaki’s most memed movie. In addition to that thumbs-up image above, plenty of lines make common appearances on anime meme boards like “You make me think humanity’s not a complete waste,” “Laws don’t apply to pigs,” and the classic “Better a pig than a fascist:”
But for all the memes, Porco Rosso is a surprisingly apolitical film, with those lines representing more throw-away jokes than a vigorous thematic ideal. Yes, the titular character Porco is a typical anti-authority anti-hero who chafes under the rule of Depression-era Italian fascists. But he’s also such a severe misanthrope that if he happens to take anti-fascist action, he only does so because the facists happen to be in charge. Combine that apathetic position with what might be Miyazaki’s weakest feminist message among his otherwise excellent cast of believable female characters and I don’t know what to do with Porco Rosso. Yes, it’s beautiful, as all Ghibli movies are. But despite the anti-fascist hype, it lacks much of Miyazaki’s characteristic thematic focus. In a word (or two), it disappoints.Continue reading “Porco Rosso is a surprisingly apolitical disappointment”
Okay, I’ve already done my sarcastic mockery of Assassin’s Pride but I feel compelled to dive into this bit of madness again. The image above fascinates me. Why why why would anyone wear a necktie in their chest pocket like that?Continue reading “Assassin’s Pride introduces: the pocket tie”