[This week in bad things I like anyway: the poetry in the spring 2019 anime Senryu Shoujo. It’s a fun and funny show, so even if my snob is showing regarding junk like metrical analysis, I mock the poems out of fondness. Better yet though, the mockery is part of the point! Senryu Shoujo succeeds because it doesn’t take its poems too seriously, instead incorporating them into the otherwise-bland high-school gag comedy to offer a light, loving parody of immature — and maybe even bad — would-be-poets. So, i’unno… with the recommendation and positivity out of the way, proceed with the snobbery!]
You’ve probably heard this before, right? Good artists copy, great artists steal?
It’s one of those apocryphal quotes that shows up everywhere but never seems to have a consistent form. Maybe Pablo Picasso said it about artists, or William Faulkner said it about writers, or Igor Stravinsky said it about composers? — none of those, nope! T.S. Eliot said it about poetry, in print even, from his 1921 collection The Sacred Wood: Essays on Poetry and Criticism:
Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.
I won’t pretend to know what makes a good or bad poem with the same confidence as Eliot, so I’ll defer to his expertise here (plus, every aphorism has its opposite: Eliot may have made “something different” out of a line from writer W.H. Davenport Adams: “The great poets imitate and improve, whereas small ones steal and spoil”). However, can we at least agree that the first poem from episode one of Senryu Shoujo might deserve an “immature” classification? As rendered by the official subtitles on HIDIVE, followed by the Japanese, a transliteration, and a line-by-line translation:
Continue reading “Bad poetry is good in Senryu Shoujo”
As the cherry blossoms bloom / I’m so happy / That we met
sakura saku / kimi to no de-a-i ga / ureshikute
cherry blossoms bloom / the meeting with you / is happy